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Try this: for the next month or so, each time you tilt a composition also shoot it straight. Put the shots next to each other and compare; even submit to some friends. See which of the two photos evoke the “correct” emotion. See which one your subjects prefer.
Remember that the Dutch angle technique was originally used to create tension or uneasiness in the viewer. Is that feeling you want people to get from your shots?
John Suler is an expert in the field of photo psychology. Here is what he has to say about Dutch Angles:
Because we don’t normally perceive the horizontal plane of our environment as slanted even when we pitch our heads sideways, a tilted camera angle tends to create unique sensations of energy, disorientation, imbalance, transition, danger, unsettledness, instability, tension, nervousness, alienation, confusion, drunkenness, madness, or violence. For this reason it’s a highly subjective type of camera angle that encourages us to experience these sensations along with the subjects in the photo, especially if the subjects present other visual cues that confirm these states of mind. If not, then we, the viewer, might be the container for these emotions rather than the subject. So, for example, if the image is slanted heavily and the subject appears disheveled, then both we and the subject experience that state of disarray. But if the subject looks perfectly calm, then we, the viewer, feel confused while looking out onto a seemingly tranquil scene and subject.
Just some things to think about.