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Doug is very cerebral in how he handles these images of his family, most (if not all) have been staged to some degree or some preconceived idea of the outcome because I’m almost 90% sure that he uses medium format, he’s never told me. I agree, his work is strongest as a set, as an unspoken narrative.  I think the only ties that Doug and Richard have is that they both photograph family but entirely different ways with entirely different visions, I adore both sets.