Home › Forums › Am I a Fauxtog? › okay, deep breath. › Reply To: okay, deep breath.
Well yes this is were a lot of images end up, as noted this is not a portfolio but more of way for folk to access their photographs. Especially the events pictures to allow for folk to tag/share etc. So other than giving you the link to the albums so as not to bombard anyone with ALL pics of the all-day events like Mud Run etc, I can’t really help that in this instance.
Also, exporting to JPG is a necessity for uploading on FB, so the client’s disc thankfully contain better quality.
What would you recommend increasing sharpness? I try to stay away from AF as much as possible, but sometimes I need the speed, are there better functions/types of lens that can help here?
The People Booth are indeed snap shots, they’re not portraits. They’re literally a camera, flash head and a table of hats and props etc and people get snapped being silly at a party. I’m not too fussed on the styling on these. If you have any technical feedback on them though I’d like to hear it.
The Alisa shoot that was done recently, I gave the parents the option of ‘natural’ or ‘prop/setup’ shots. I have a big selection of ‘scenes’ and props as this is what the company I was trained by was famous for, so prop-shots are in the options. In this case, her family chose props.
I have a few here https://www.facebook.com/media/set/?set=a.253087008074207.62386.164976076885301&type=3 that are without props, just baby, but again still in keeping with the way I was drilled by the corporates.
I.e anyone from the same day of shooting with that co would get almost identical images as the family prior if they were the same ages/genders etc.
I need to gain some more technical knowledge I think, as (like above) we would just have the same settings and controlled environment in our little shopping mall studios, I never learnt to be able to quickly change things as needed on the fly and expand out of this flipbook of standard poses.
Do you (or readers to come) have any notes regarding the poses/composition of the portraits, including the above and what has already been noted as too-dark wedding portraits in the later photos of these albums?